Peter Beard

American, 1938–2020

Gardeners of Eden, 1984

Gelatin silver print with watercolor, ink
23.5 x 29.8 in. (59.69 x 75.69 cm.)
Frame: 31.89 x 37.56 x 1.57 in. (81 x 95.4 x 4 cm.)
Signed, titled and dated on recto. Signed and copyright stamped Certificate of Authenticity on verso.

Printed 2009
Unique

Lot ID

141820
Ending
Estimate

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Susanna Wenniger
Head Of Photographs

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Lot Details

About This Lot

Famous for his iconic photographs of African wildlife, Peter Beard’s work is both haunting and captivating. As an avid journalist and photographer, Beard started documenting from a young age, traveling to Africa for the first time in 1955. Beard resided in Kenya where he started work at Tsavo National Park, documenting thousands of animals, including elephants, as depicted here. During his time at the Park, Beard witnessed an encroachment of the elephant population, resulting in detrimental conditions for various wildlife. This crisis resulted in the death of many animals.

Peter Beard (American, 1938 - 2020) was a photographer and diarist whose mesmerizing images of East Africa emphasize the affinities between humans and animals, and advocate for endangered species. Beard became fascinated with the African wildlife after a life-changing trip in the 1950s. After studying at Yale under artists including Joseph Albers, he began working at Kenya’s Tsavo National Park in the 1960s. Horrified by rampant poaching and natural degradation, he documented the demise of elephants and rhinoceroses in Tsavo—a project that became his best-known book, The End of the Game (1977). In the 1970s, Beard started working in fashion and became a fixture of New York City nightlife, dividing his time between Manhattan and the Kenyan capital of Nairobi. Beard’s first major solo exhibition took place in 1977 at the International Center of Photography, New York, and his first career retrospective was launched in 1996 at the Centre National de la Photographie in Paris.

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The seller has recorded the following condition for this lot:
Please contact Amelia Wilson at awilson@artnet.com to receive the condition report for this lot.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Acquired directly from the artist
  • Private Collection, Switzerland
  • Ships From: Switzerland
  • Shipping Dimensions: 31.89 x 37.56 x 1.57 in. (81 x 95.4 x 4 cm.)
  • Frame Material: Wood
  • Framed Under: Glass
Accepted: Wire Transfer
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