Richard Avedon

American, 1923–2004

The Beatles, London, 1967

Four gelatin silver prints
23 x 19 in. (58.42 x 48.26 cm.) each
Frame: 24 x 20 x 2 in. (60.96 x 50.8 x 5.08 cm.) each
Each signed and dated ‘88 with stylus on recto; each signed, titled and dated in pencil with photographer’s copyright credit stamp on verso

Printed 1988
AP from Edition of 12

Lot ID

141786
Ending
Estimate

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Susanna Wenniger
Head Of Photographs

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Lot Details

About This Lot

In 1967, the Beatles' management company, NEMS Enterprises, approached influential American fashion and fine art photographer Richard Avedon to commission a set of portraits and gave the distribution rights to different outlets in different countries. LOOK magazine in the United States, the Daily Express Newspaper in the UK, and STERN and Varagids magazine in Europe handled the distribution of the works. Richard Avedon's iconic portraits of celebrities span more than half of the 20th century and include Marilyn Monroe, Audrey Hepburn, The Beatles, Andy Warhol, and Tupac Shakur. “My portraits are more about me than they are about the people I photograph,” he once observed. Perhaps Avedon’s biggest stylistic impact was his decision to have his subjects emote—initially working during a time when the prevailing trend had been to present portraits that were still and subdued, his photographs stood out with their intimate viewpoint.

Born on May 15, 1923 in New York, NY, he studied under Alexey Brodovitch at his Design Laboratory at The New School. Avedon got his start working for magazines, landing a job at Vogue in 1964, first as a staff photographer under famed editor Diana Vreeland, and then as its head photographer from 1973–1988. Outside of his fashion work, Avedon is also known for his series capturing American Western figures such as drifters, miners, cowboys, and others living on the edges of society. A series of these images was later published as the book In the American West (1985), which is widely considered a seminal work in the history of photography. He died in San Antonio, TX while on assignment on October 1, 2004 at the age of 81. Today, the artist’s works are held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, the Fotomuseum Winterthur in Switzerland, and the Victoria and Albert Museum in London, among others.

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Publication:
  • Patricia Coffin, ‘Art Beat of the ‘60s’: The Beatles’, Look, vol. 32, no. 1, Des Moines, January 9, 1968, p. 32-41.
  • Richard Avedon, Richard Avedon: Evidence 1944–1994, Random House, Eastman Kodak Professional Photography Division, New York, 1994, p. 150.
The seller has recorded the following condition for this lot:
Please contact Amelia Wilson at awilson@artnet.com to receive the condition report for this lot.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Acquired directly from the artist by the present owner, 1988
  • Private Collection, New York
  • Ships From: New York, USA
  • Shipping Dimensions: 24 x 20 x 2 in. (60.96 x 50.8 x 5.08 cm.)
  • Frame Material: Wood
  • Framed Under: Glass
Accepted: Wire Transfer
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